Opinion | Who Can Write About What? A Conversation With Roxane Gay and Jay Caspian Kang. – The New York Times
When does creative license become cultural appropriation? Take “American Dirt” and “The Help,” two books by white authors that drew criticism for their portrayals of characters of color. Artists’ job is to imagine and create, but what do we do when they get it wrong?
[You can listen to this episode of “The Argument” on Apple, Spotify or Google or wherever you get your podcasts.]
To discuss, Jane Coaston is joined by the Opinion writers Roxane Gay and Jay Caspian Kang. Roxane is an author of multiple books, including “Hunger” and “Bad Feminist.” Jay is a contributor for The New York Times Magazine and writes a twice-weekly newsletter. In their work, both have thought deeply about the thorny issues of writing across identities — including what makes work authentic, the pressure of representation for writers of color and the roles social media and the publishing industry play in literary criticism. “I don’t think it’s that complicated,” Roxane says. “It’s not that we divorce identity from the conversation. It’s that we treat it as inherent because we can’t separate out parts of ourselves.”
Warning: This episode contains explicit language.
Mentioned in this episode:
(A full transcript of the episode will be available midday on the Times website.)
Thoughts? Email us at argument@nytimes.com or leave us a voice mail message at (347) 915-4324. We want to hear what you’re arguing about with your family, your friends and your frenemies. (We may use excerpts from your message in a future episode.)
By leaving us a message, you are agreeing to be governed by our reader submission terms and agreeing that we may use and allow others to use your name, voice and message.
“The Argument” is produced by Phoebe Lett, Elisa Gutierrez and Vishakha Darbha. Edited by Alison Bruzek and Anabel Bacon. With original music by Isaac Jones and Pat McCusker. Mixing by Pat McCusker. Fact-checking by Kate Sinclair and Mary Marge Locker. Audience strategy by Shannon Busta with editorial support from Kristina Samulewski. Our executive producer is Irene Noguchi.