Science

Cybernetics for the 21st Century: lectures and symposia – Announcements – E-Flux

Host:  Media Lab of Guangdong Times Museum, Research Network for Philosophy and Technology

Co-Organizer: Hanart Forum

All the lectures with both English and Chinese subtitles could be found online and the Symposia will be livestreamed with simultaneous translation. The registration for symposia will open on the media lab website in January 2023.

Symposia
January 10, 8-10pm (GMT+8) 

Locality and epistemology: Andrew Pickering,  Slava Gerovitch, David Maulén de los Reyes, Michal Krzykawski, Yuk Hui 

January 11, 9–11pm (GMT+8) 
Politics and artificial life: Katherine Hayles, Brunella Antomarini, Mathieu Triclot, Daisuke Harashima, Yuk Hui

Lectures
October 28

Andrew Pickering: Cybernetics in Britain 

November 4
Slava Gerovitch: Cybernetics Across Cultures: The Localization of the Universal

November 11
Michal Krzykawski: Cybernetics and Communism: Cybernetic Thinking in the Polish People’s Republic

November 18
David Maulén de los Reyes: Why Did Cybernetics Disappear in Latin America? An Incomplete Timeline

November 25
Brunella Antomarini: Leibniz’ Teleology, or A Pre-history of Cybernetics

December 2
Mathieu Triclot: Cybernetics for the 21st Century? Or Ontology and Politics of Information in the First Cybernetics

December 9
Daisuke Harashima: Life-in-formation: Cybernetics of Heart 

December 16
N. Katherine Hayles: Detoxifying Cybernetics: From Homeostasis to Autopoiesis and Beyond

Cybernetics is not only an ephemeral and contingent event in intellectual history, but rather it meant firstly to be a new science of machines, which breaks away from the mechanism of the 17th century, that is why Norbert Wiener in his 1948 Cybernetics: or the Control and Communication in Machine and Animals could claim that cybernetic machines overcome the dichotomy between the biological Bergsonian time and the mechanical Newtonian time; secondly, a universal discipline, it is able to unify all other scientific disciplines, and later also disciplines of the social sciences, demonstrated  by the so-called Second Order Cybernetics; thirdly the latest development of Western philosophy, which led to Martin Heidegger’s claim that cybernetics marks the end or completion of Western philosophy.

Today cybernetics has already been absorbed in almost all engineering disciplines as well as in art and humanities, and realized what it has promised as a universal method. The significance of cybernetics remains to be questioned and taken beyond what has been characterized as control and surveillance. More than ever, we are living in an epoch of cybernetics, however, we still fall prey to the dichotomy of nature and culture without understanding the significance and the limits of cybernetics. Cybernetics brought forward a digital earth, where one finds the end of nature and the beginning of ecology. We, moderns, are alcoholics, who failed to get out of the positive feedback of progress, like what Nietzsche describes in the Gay Science, the pursuit of the infinite leads to the realization that nothing is more frightening than the infinite.  A new recursive epistemology in the sense of Gregory Bateson, which inherits cybernetic thinking while seeking to overcome its intoxication, is needed for the program of re-orientation. 

This two-year public research program titled “Cybernetics for the 21st Century” aims to firstly reconstruct the history of cybernetics, from the perspectives of different geographical locations, political projects and philosophical reflections; and secondly to ask what might be the contribution of the cybernetic movement to the new form of thinking that is urgently needed to understand and reorient our digital earth. The first edition of the program consists of eight lectures and two symposiums with the presentation of philosophers, historians of science, and sociologists, including Andrew Pickering, Katherine Hayles, Brunella Antomarini, Slava Gerovitch, David Maulén de los Reyes, Michal Krzykawski, Mathieu Triclot, Daisuke Harashima. The program is hosted by Yuk Hui and curated by Jianru Wu. 

The launch of the program is made possible by the support of M Art Foundation and Guangdong Times Museum.